TV program providers
Cable television is a system of delivering television programming to paying subscribers via radio frequency (RF) signals transmitted through coaxial cables or, in the 2010s, light pulses through fiber-optic cables. This contrasts with broadcast television, in which the television signal is transmitted over the air by radio waves and received by a television antenna attached to the television. FM radio programming, high-speed Internet, telephone services, and similar non-television services may also be provided through these cables. Analog television was standard in the 20th century, but since the 2000s, cable systems have been upgraded to digital cable operation.
A "cable channel" (sometimes known as a "cable network") is a television network available via cable television. When available through satellite television, including direct broadcast satellite providers such as DirecTV, Dish Network and BSkyB, as well as via IPTV providers such as Verizon FIOS and AT&T U-verse is referred to as a "satellite channel". Alternative terms include "non-broadcast channel" or "programming service", the latter being mainly used in legal contexts. Examples of cable/satellite channels/cable networks available in many countries are HBO, MTV, Cartoon Network, E!, Eurosport and CNN International.
The abbreviation CATV is often used for cable television. It originally stood for Community Access Television or Community Antenna Television, from cable television's origins in 1948. In areas where over-the-air TV reception was limited by distance from transmitters or mountainous terrain, large "community antennas" were constructed, and cable was run from them to individual homes. The origins of cable for radio are even older as radio programming was distributed by cable in some European cities as far back as 1924.
History in the USA and Canada
Cable television has gone through a series of evolutions in the United States and Canada. From its founding, it primarily served small communities without access to a television station, or ones with an adverse location that prevented reception of outside signals even if they were not far away, such as being in a valley. Particularly in Canada, communities with their own signals were fertile cable markets, as viewers wanted to receive American signals. Early systems carried only a maximum of seven channels, using 2, 4, 5 or 6, 7, 9, 11 and 13, as the equipment was unable to confine the signal discreetly within the assigned channel bandwidth. As equipment improved, all twelve channels could be utilized, except where a local VHF television station broadcast. Local broadcast channels were not usable for signals deemed to be priority, but technology allowed low-priority signals to be placed on such channels by synchronizing their blanking intervals. Similarly, a local VHF station could not be carried on its broadcast channel as the signals would arrive at the TV set slightly separated in time, causing "ghosting"
The bandwidth of the amplifiers also was limited, meaning frequencies over 250 MHz were difficult to transmit to distant portions of the coaxial network, and UHF channels could not be used at all. To expand beyond 12 channels, non-standard "midband" channels had to be used, located between the FM band and Channel 7, or "superband" beyond Channel 13 up to about 300 MHz; these channels initially were only accessible using separate tuner boxes that sent the chosen channel into the TV set on Channel 2, 3 or 4. Later, the cable operators began to carry FM radio stations, and encouraged subscribers to connect their FM stereo sets to cable. Before multichannel television sound became common, Pay-TV channel sound was added to the FM cable line-ups. About this time, operators expanded beyond the 12-channel dial to use the "midband" and "superband" VHF channels adjacent to the "high band" 7-13 of North American television frequencies. Some operators as in Cornwall, Ontario, used a dual distribution network with Channels 2-13 on each of the two cables.
During the 1980s, United States regulations not unlike public, educational, and government access (PEG) created the beginning of cable-originated live television programming. This evolved into today's many cable-only broadcasts of diverse programming, including cable-only produced television movies and miniseries. Live local programs with local interests were rapidly created all over the United States in most major television markets in the early 1980s. Cable specialty channels, starting with channels oriented to show movies and large sporting or performance events, diversified further, and "narrowcasting" became common. By the late 1980s, cable-only signals outnumbered broadcast signals on cable systems. Some systems were going beyond 35 channels. By the mid-1980s in Canada, cable operators were allowed by the regulator to enter into distribution contracts with cable networks. Large cable companies used addressable descramblers to limit access to premium channels to paying customers.
By the 1990s, tiers became common, with customers able to subscribe to different tiers to obtain different selections of additional channels above the basic selection. By subscribing to additional tiers, customers could get specialty channels, movie channels, and foreign channels. During the 1990s, the pressure to accommodate the growing array of offerings resulted in digital transmission that made more efficient use of the VHF signal capacity; fibre optics was common to carry signals into areas near the home, where coax could carry higher frequencies over the short remaining distance. Although for a time in the 1980s and 1990s, television receivers and VCRs were equipped to receive the mid-band and super-band channels, such cable-ready tuners are rarely used now, requiring a return to the set-top boxes used from the 1970s onward. The conversion to digital broadcasting has put all signals - broadcast and cable - into digital form, rendering analog cable television service mostly obsolete, functional in select markets. Analog television sets are still accommodated, but their tuners are mostly obsolete; oftentimes, dependent entirely on the set-top box.
DistributionA cable television distribution box (left) in the basement of a building in Germany, with a splitter (right) which supplies the signal to separate cables which go to different rooms
GuDenns TV Box Streaming Media Player Android 4.4 OS Amlogic S805 Quad Core 1.5GHZ Processor 1G DDR and 8G Flash with Wi-Fi and Bluetooth with Free Internet Movie and OTT TV Programs (Black)
Mobile Application (NBCUniversal Media, LLC)
Peyow Aqua Pilates A Water Pilates Program Developed by Anne Burnell, Continuing Education Provider for the Aquatic Exercise Association (AEA)
DVD (Spectrum Music & Video LLC)
GOWE 4*DVB-C RF out QAM Modulator, 4*Tuner or 4*ASI in and output 4*QAM Carriers for transport more Digital TV Programs
Home Improvement (Gowegroup)
LG Electronics BH5140S 500W Blu-Ray Home Theater System with Smart TV (Certified Refurbished)
Home Theater (LG)